This was a great project to work on with Favorite Color. The shoot was crazy fun, and the vfx were creatively inspiring to work on everyday.

Sundance wanted a fresh modern look that spoke to a new class of creatives. I gave them boards filled with clean lines, vibrant hues, and color dust.

These daypart menus are the beginning of the new look for CNN en Español. They combine clean graphic shapes and layout, with playful organic particles. The menus seen here are rendered for HD; but can be easily cropped for SD. The final menus have not aired yet, so the footage seen here is temp. — Score by Sharaab.

Fuse Network had a new show that took music industry myths, and tested them out for real. I was able to mix real props, match moving, and cgi into a tripped out science lab.

“I can’t wait.” – me

— thanks to Sharaab for the audio work

This spot was done for G4, one of my favs. The pitch was that G4 allowed it’s consumers to connect with their devices in a richer, more immediate way because of what G4 offered anytime/anywhere. —Music by Panther.

Fuse Network asked Bark Bark to do their Upfront for 2008. This was going on simultaneously with their re-brand; so it was great opportunity to do something new for the music centric network. This particular spot is what Fuse opened each Upfront with.

TLC contracted Bark Bark to create a dynamic and clean graphics closer for their 2008 upfront. The catch was that it was based off of a rebrand that was currently in progress; all we had was the color palette. TLC was so happy in the end, they incorporated many of the styles seen here into their 2008 re-brand. Especially my “TLC Life Surprises” tag animation at the end of this sizzle. — music by Jennifer Lopez

This is a quick hotmix of some kids network stuff from the past few years- cheers! Oh, contact me if you want to see something specific or not seen here. — music by Ruckus Roboticus

Official selection of the Atlanta Film Festival 2010. After we won the Atlanta 48 hour film competition, we were asked to compete in the International Shootout. The were many rules inlcuding: all original material, no pre-shooting or animating, 3-5 minutes tops and 72 hours to complete. On Friday night we were given our genre- Buddy Film; and other items that had to be included in the film- found money, the line “will you meet me later”, a briefcase and Mike Jordache the paparazzi. It was super hard work, but well worth it. Remember, we only had basically 2 days to do this.